Album Review - Papillon - Lazerus Heights His voice hits you like a spoon of honey – he being Dick Grisdale, songwriter, vocalist and songwriter for Lazerus Heights,an Anglo French band from Dordogne. A great baritone voice, which brings on comparisons to Kevin Ayers, that very British chanteuse from Canterbury. The overall thing I like about this album is that it feels like you have heard it before, it’s not hard to get into. The arrangements , the melodies all sounding deliciously familiar, but completely original which is how I like my music. Besides Kevin Ayers, I detect some John Cale era Velvet Underground, and some sublime Dave Gilmour type guitar work, with some very complimentary keyboard work from Paul Mouradian.including some arabesque swirls reminiscent of Led Zeppelin Physical Graffiti era. The rhythm section is Simon Pearson on bass and Jeff Gautier on drums, which work together like hand and glove. Yes this is band all working together for good of the song. There is not a bad moment on this album, and the more I listen the more I hear. Overall favourite tracks so far are Dry Martini, The Living Room and Lazerus Heights. Also popping up is a cover of the Jaques Brel song Next, which was also covered by The Sensational Alex Harvey Band and of course Scott Walker, a massive Brel fan. Anyone wanting to spread the word of Jaques Brel is welcome at my house anyday. I am so grateful that I was hipped to this band. As soon as the last track finishes I want to hear it all again.Its special when you form a bond like that with an album, it doesn’t happen too many times in a lifetime. The album is available on Bandcamp and on CD.

Tell us about your latest release, “Light at the end of the tunnel” Release April 4, 2025 ·What was the recording process like? Was it in a studio or do you do it all yourselves? A: A little bit of both, I sent things remotely over to my team in Sweden, so I had to learn the computer programs and things like that ha ha, but I've also had the opportunity to go to Sweden, and record there as well. How do you write your songs? A: I have an idea, I write it down, I often come up with a poem for it, and that's when I start to use my team, because I'm not so good at putting it in song format ha ha but they are so they help me with that. What were your main influences while writing? A: I take a lot of my influences from my personal experiences and feelings. What is your favourite song you have done and why? A: So far my favourite song is Greensleeves How did you come up with the name of the current release? A: I suppose that there's many songs with the similar name, but I wanted it to be this way because I wanted it to point out that you know there is light at the end of the tunnel in life, and there's hope. Why did you became a musician? A: I became a musician because I've always had a love of music, and I love making people smile and, I find it just very healing overall for both your soul and your mind. How did you come up with your stage name? A: I used to read a lot of fantasy books so that name actually was inspired by a series I was reading at the time, I was pretty young so I actually don't remember the series name ha ha, but yeah that's where this came from. Have you got any gigs or a tour coming up where people can hear the songs live? A: No not currently, but hopefully in the near future. What are your plans for the next few months? A: Lots of new music on the way, I am excited to see where that goes and really excited to keep producing and making the music!!

Gig Review - Shadows Of The Night – Pete Kosanovich Pete Kosanovich survived the terrible war which divided Yugoslavia, and came to Britain at a young age with his mother, so to say he has a strong anti war message in quite a few of his songs is perhaps not surprising. He is a prolific singer songwriter and multi instrumentalist who fell in love with the British folk and folk rock scene of the 60’s and 70’s, and like all great artists has immersed himself in this genre, tracing it back to it’s roots, and trawling charity shops for folk gems such as David McWilliams, Days Of Pearly Spencer right through to the Seekers. This is apparent in his music, particularly on this album which is his voice , an acoustic guitar and a harmonica. The album, which is his fourth, was recorded live at Paper Dress Vintagein Hackney in 2024 and released in December 2024 to great critical acclaim, and listening to it you can see why. On Children Of War, he takes his own war experiences as a child and turns them into a poignant anti war message. With Shadows Of The Night, the title track, he deals with depression and mental illness. Other songs deal with love, unrequited, lost, and gained, in his own 21 st century way of delivering very English folk songs. You can hear Bert Jansch in there and an early Dylan inflection on the harmonica, but he takes all his influences and moulds them into his own. This seven track live album is a perfect starter to a three course Kosanovich meal,and you will be joining people like Ray Davies, Grahm Nash and Liam Gallagher who already endorse this young troubadour.

If you haven't already heard of Revenant , you have been missing out, these guys are taking the UK by storm and they are not slowing down. Their EP - Best Medicine is out on the 11th of April and it is going to rock your socks off because from start to finish, it is full of absolute bangers!! Public Service Announcement Love this song! It gets you up off your bum for a right old boogie! It's got such a great energy to it that it will have you jumping around shouting "This is a public service announcement, listen to what I say" even after the song has finished. Best Medicine The song is about the singer, Sam, finding the love of his life and falling head over heels in love with her. He can’t eat, he can’t sleep, he’s losing his wits. I found out in a recent interview with the lads that Sam wasn’t always a singer and after hearing this song, I can’t think of why. He has a brilliant voice and along with the harmonies on this track are just all perfectly put together. Plus, as it is about his personal experience, you can hear the emotion in his voice talking about finding love. Don’t even get me started on the guitars….ok… they are frigging amazing! Throughout the track, you can hear them Runaway Rage A slightly slower track but full of juicy guitar parts that will have you bending like guitar strings. I particularly love the slide guitar parts, I think it's from my years growing up listening to country music that makes this song so appealing to me. Least I Can Do This song gives me visions of sitting out in the garden in the sun with a cold drink and having this song playing to bring the chill vibe. It's a song about working hard for what you have and sharing what you have. It's a brilliant feeling good song. Miss You A nice acoustic track to finish off the EP. I think this is a after-a-break-up song, it's a bit sad but it has a beautiful melody. I really like the fact it is acoustic so that it stands out against the other songs on the EP.

Sound is more than just what we hear; it's a fundamental force of nature that influences our emotions, physical health, and spiritual well-being. At its core, sound is created by vibrations traveling through air and water in waves that shape our sensory experiences. Whether it's the soothing rustle of leaves, the rhythmic beats of music, or the resonant tones of a singing bowl, sound vibrations interact profoundly with our bodies and minds. This article explores the science behind sound and vibrations, the role of frequencies in music, and the therapeutic effects of sound healing. From musical instruments to ancient healing practices, we’ll uncover how different frequencies impact our energy, emotions, and cognitive functions. By understanding the power of sound, we can learn how to harness its benefit, whether for relaxation, focus, or personal growth. Let’s dive into the fascinating world of sound vibrations and discover how they shape our lives. Understanding the Science of Sound and Vibrations Sound is created by vibrations, waves of energy that can be both from air and water. These vibrations can be measured through sound frequencies known as hertz, which helps to determine the pitch and tone of sound. Whether it's the sound of leaves or chords on a track, sounds are a result of musical vibrational energy that interacts with the environment and someone's own senses. Understanding the Science of Sound and Vibrations When sound waves or speed of sound reach our ears, they cause our eardrums to vibrate, which converts these waves into signals which our brains react to. This allows listeners to perceive music in different ways through the sounds, lyrics, beats and ambient noises, which creates different sensory experiences for each individual. The Role of Musical Vibrations Music relies on vibrational sounds from noises to background songs. Every instrument used, such as drums, guitars or a piano, creates sounds generated through vibrations. For example, the strings on a guitar vibrate a specific frequency, creating a unique pitch and sound. In addition, when singing, our vocal cords produce different harmonies and notes. Sound waves can match the frequency of objects, applying vibrations and creating fuller sounds. This principle is prominent in acoustic instruments. Music and Frequency: The Spiritual Side to Sounds We understand that music carries frequency, so understanding the spiritual side to sounds is important, especially if you're wanting to uplift your energy through sounds. Sound therapy and music healing have been around for many centuries and within many cultures. The Greeks and Egyptians use sound as a way of healing and frequencies, which can restore balance within the mind and body. Music and Frequency: The Spiritual Side to Sounds Let's look into the different chakras and the different range of frequencies used to keep you balanced: 1. Root Chakra (frequency: 396 Hz): Known as the Muladhara in Sanskrit, located at the base of the spine. This chakra is associated with feeling grounded and safe. Music such as 396 Hz frequency can help stimulate this chakra and be associated with safety and help with anxiety. 2. Sacral Chakra (frequency: 417 Hz) This chakra is Svadhisthana in Sanskrit and is located in the navel. This chakra is associated with creativity, pleasure and letting go of old patterns which don't serve us. 3. Solar Plexus Chakra (frequency: 528 Hz) The solar plexus charka also known as the Manipura in Sanskrit. This chakra is related to power and confidence. The frequency of 528 Hz sounds are used to stimulate and help us reconnect to who we are and make decisions on strength. 4. Heart Chakra (frequency: 639 Hz) The Manipura in Sanskrit focuses on the ability to love ourselves and others. The sound frequency used is 639 Hz and helps to heal old wounds. 5. Throat Chakra (frequency: 741 Hz) The throat chakra (Visuddha) helps us express ourselves and communicate our needs. The 741 Hz frequency activates this chakra, encouraging clear and authentic self-expression. 6. Third Eye Chakra (frequency: 852 Hz) Located in the center of the forehead, the third eye chakra enhances intuition and clarity. Listening to 852 Hz music can strengthen inner vision and deepen our understanding of the world. 7. Crown Chakra (frequency: 963 Hz) The crown chakra (Sahasrara) represents enlightenment and spiritual connection. The 963 Hz frequency helps open this chakra, promoting a sense of unity and higher consciousness. Music and Its Effects on the Human Body and Mind Music can reflect our current emotional state, and finding a song can reflect any current mood or feelings we may be experiencing. Active music-making can affect the neurotransmitters, including serotonin and dopamine, which helps to influence mood. Dopamine influences focus, memory, sleep, mood and motivation. Whereas serotonin impacts sleep patterns, anxiety and pain. Engaging in music-making can include singing, playing an instrument, or producing music electronically. Participating in group singing, in particular, fosters a sense of connection with others by stimulating the release of oxytocin. Additionally, singing helps synchronise breathing patterns, promoting relaxation and lowering cortisol levels, the hormone associated with stress. Relating to emotions through music is associated with personal and prior experiences. Research found that our culture and experiences have been assigned to sounds before even listening to music. Music can also help to reduce memory loss and retain important information. Music memory is stored within the hippocampus, which is located within the brain meaning music memories are less likely to be impacted by age or diseases. Music therapists often use music to help their clients with improving memories and learning development- as music activates specific memories and can remind us of places, people or events. The Benefits of Music and Frequency A study by doctors at Johns Hopkins recommends that you should listen to music that helps stimulate the brain. Scientists understand that listening to music engages your brain and activates areas within MRI scans for the brain. There are many benefits to listening to music: The Benefits of Music and Frequency 1. Memory Improvements Music can help improve memory by creating a positive effect on memorizing. One study tested this theory, as researchers gave people tasks which required them to read and recall short lists. Those who were listening to classical music such as Mozart performed better than those working in silence or white noise. Listening to music has found to also slow down cognitive decline, helping people with mild or moderate dementia. In addition, music memory has shown to provide support with brain functions and help calm emotions which is an effective benefit to listening to music. 2. Lower Anxiety There have been many studies to suggest music also helps to lower anxiety and feelings of being anxious. A study found that music blended with nature sounds helps people to feel less anxious in their everyday lives. Another study found that the body releases less of the stress hormone known as cortisol when people listen to music. Music is seen as a significant factor in helping to reduce anxiety and anxious feelings among people who are to stay calm and regulate their nervous system. Listening to music is an ideal activity needed to help reduce anxiety within stressful events and help restore the nervous system faster. 3. Decrease Fatigue Music has also been shown to reduce fatigue. In 2015, a study at Shanghai University found that music helps to reduce fatigue and helps people stay engaged in tasks. Music therapy sessions are also used in cancer treatments and therapy sessions to help reduce fatigue and keep individuals engaged in neuromuscular training. 4. Boost Exercise Performance Exercise lovers, understand how important listening to music is when training in the gym! Well, there's a benefit to this... A 2020 research study found that people working out with music help mood shifts and increase exercise performance levels. Another study found that syncing your workout to music can help individuals reach their peak performance levels by using less oxygen, as it acts as a metronome in your body. So next time you're going to train in the gym or take a run, make sure to take your headphones and enjoy the vibrations of music- it'll benefit you and your exercise performance levels. As you can see there is a wide range of benefits to sound and music, from physical support to mental health. Music is used as sound therapy to allow individuals to feel connected to the music, lyrics, musical sounds and help reduce any stress hormones within the body. Whether you're jamming out to Chris Brown or relaxing to Mozart, each sound and vibrations offer the same hormones in helping to reduce stress and activating your brain. Conclusion: The Power of Music Creating Vibrations through Sounds Sound and vibrations are the building blocks of music, shaping the way we experience and interact with the world. From the scientific principles of sound waves to the emotional and physical effects of music, vibrations influence every aspect of our lives. Music has the power to heal, inspire, and connect us, making it one of the most profound forces in human culture. By understanding and harnessing the power of sound vibrations, we can enhance our well-being and deepen our appreciation for the rhythmic harmony that exists all around us.

Album Review - Singing For Company - Tiberius I’ve always been a fan of genre-bending, growing up with iconic names such as the Prodigy, Radiohead and Pendulum blasting through my shitty iPod Speakers as a child. Therefore, I was relieved to give Tiberius a listen, who seem to take influence from all corners of rock, pop punk, emo and metal. Their second album, Singing for Company, debuted on the 21st March featuring eight tracks — all with a distinct identity and sound. Starting their musical journey a decade ago, the band has amassed a loyal fan base, and the first single, “Tip Of The Spear”, has already garnered more than 60,000 listens on Spotify to date. Singing for Company is a short but sweet album with many enjoyable aspects, and its strong progression stood out to me. As a listener, you could sense the album’s journey through the genre subtypes, with the first few tracks acting as a warm-up for some of the heavier tracks near the latter half. Within the first 25 seconds of the album, my first thought was “wow, this sound quite a lot like if Tenacious D and Fall Out Boy had a baby”, which then transcended to “the lead vocalist’s voice is remarkably like David Draiman from Disturbed” and “ooh, nice guitar.” Tiberius begins the album with New Revelation, a track with a naughty lil breakdown towards the end. By building up to a satisfying apex, the band are sure to keep people excited, and I’m looking forward to witnessing this one live. I think the instrumentals are particularly standout in this song, as they drive the strong energy of the track and bring it to life. Lead singer Grant Barclay also shows off his pipes during the aforementioned breakdown, which sound pretty stellar — the guy must have a pretty good lung capacity! As a certified slut for a breakdown, I enjoyed this one, and many of the others throughout this album. Tip of the Spear, which is the third in this lineup, starts off with an awesome driving guitar arpeggio, followed by a nice riff that gets your head bobbing. My goblin brain always craves fast-paced tracks, and this one could definitely get a crowd moshing, as it’s high energy and good fun. The chorus once again reminded me of Fall Out Boy in the Save Rock and Roll era, which hit a nostalgic note for me as I used to be obsessed with them back in my sad teenager who hates school and wears rainbow over the knee socks phase. Although I think the first half of the album has merit, I think it really comes into its own in the second half, with tracks like Singing for Company and The Iliad Flow tickling my pickle for their own distinctive reasons. The former is a proper ear worm, and probably the most catchy track in the lineup — which is punctuated by yet another dirty guitar riff that’ll have a listener saying “pee-yew, what’s that stench.” The latter, which immediately jumps into a cracked instrumental, further proves that Tiberius can throw it down in the studio. I can also relate to the phone-hating lyrics as somebody who has to actively restrain myself from throwing my phone in every public bin. I appreciate the levels these songs transition through, so it’s not just 100% the whole time, leaving you excited for the next segment and making the instrumental-heavy sections that much more impactful. I’d also like to give a shout out to the random ass bagpipe solo at the start of the final track, Touch the Past. Man there’s something so amazing about a bagpipe segment in a metal track; it’s an underrated instrument for sure. Bleed from Within might have done it first, but this still goes hard. This track has female vocals in it too, which is a refreshing change for the album’s conclusion; we all love a High School Musical-core duet!(though Troy Bolton doesn’t strike me as a metalhead). In conclusion, Tiberius has done some good work with this album, and listening to it has got me excited to see them live in April. With Singing for Company, the band are keen to “share the evolution of their sound, which comes with the same snarky lyrical content and genre-bending motifs fans come to expect.”

My Favourite Album with Garrow Hill What is the album? Seventh Son of a Seventh Son - Iron Maiden Why is it your favourite album? It’s Iron Maiden at the absolute peak of their powers, the artwork is amazing and there isn’t a bad song on there! It’s also a brilliant album to listen to in one uninterrupted session. It’s a weird semi-concept album but we love the idea of a unifying theme that a group of songs can sit under to tell a cohesive story. How does it make you feel when you listen to it? Nostalgic! We used to listen to this when we were school kids - particularly during winter, which tied in with the artwork theme and created some pretty strong memories and connections to this album. How do you feel when you hear the songs from that album played live? They’re amazing to hear and watch live. The Maiden England live dvd in particular has some brilliant performances of most of the songs off the album. What is your favourite track and why? Stew: For me, it has to be Infinite Dreams. It’s just such a well crafted song that really takes you on a journey and the lyrics are great. Some of the best dual guitar work from Dave Murray and Adrian Smith as well! PG Branton: They’re all great songs in their own right. Not perhaps the favourite but Can I Play With Madness strikes a vivid memory for me. It was on a compilation cassette tape called Monster Hits and I played the arse out that piece of tape until I actually bought the album. Little did I know then that this was the beginning. A 13 year old kid opening up the world of maiden!!

Single Review - Creatures of chaos - The Rasmus Time to gather Creatures! The Rasmus are about to hit with a new single called "Creatures of Chaos". After releasing "Rest In Pieces" and new tour dates for the end of this year, The Rasmus are coming back once again with thunderous guitars, swift drums and a chorus that get stuck in your head. "Creatures of chaos, that's how they made us". Almost like a call to all their fans. Not gonna lie I've spent the whole morning singing to this song picturing me in front row. The Rasmus found a new energy, a new speed and it suits them so well. The song will be out tomorrow 28th March, don't miss out! The Rasmus - Weirdo Tour While you wait for the new album to come out you can grab some tickets for their UK shows! 30/11 Glasgow 1/12 Manchester 2/12 Cardiff 4/12 London 5/12 Southampton 6/12 Nottingham See you there!

Gig Day with Tallboy How do you get to the gig? We usually travel in a convoy. Do you carpool? Is there someone who is the “driver” of the band? Yes, our singer Brad and guitarist Adam take the lead when it comes to driving. How early do you need to get to the gig? We always aim to arrive with plenty of time to spare. Since we live in the UK’s biggest cul-de-sac, it takes at least 45 minutes just to reach a motorway, so we make sure to set off early. When there’s more than one band playing, how does everyone get set up and soundchecked? Is there a specific order to everything? Typically, the headline band soundchecks first, followed by a full soundcheck for the opening band. Any bands playing in between usually just get a quick line check. Personally, I prefer a full soundcheck to make sure everything runs smoothly. What do you do once you’ve done the soundcheck? We pack up our gear and go grab some food. Then we head back to the venue to get ready for doors to open. Do you have any rituals before going on stage? We always warm up on our instruments, and just before stepping on stage, we have a quick motivational chat. What are you mainly thinking about while you’re on stage? Being on stage is what it’s all about, so I tend to get lost in the moment. That is, unless something goes wrong - then my focus shifts to fixing it as quickly as possible. What’s the first thing you do when you’ve finished your set? I pack my gear away as fast as I can, then step outside for some fresh air. What do you do next? We spend time chatting with fans and the other bands before loading up all our gear and hitting the road. How do you end the night? With a nice cup of tea - very rock ’n’ roll!

Alt-rock sensations Decrepit Youth makes its much- anticipated debut release with their EP Love Psycho Kill Machine and it will surely wet the appetites for what’s to come from this band of myriad influences. After over a decade since Bring Me The Horizon’s immensely influential, game-changing release Sempiternal, an initial spin of Decrepit Youth’s debut EP would prove just how true that point is and, perhaps more interesting, how the album is just now beginning to spawn bands that the youth of the time were listening to on repeat while purchasing their own instruments and learning to play along. Decrepit Youth is, at once, easily identifiable with those who prefer BMTH’s alt-metal persona and, indeed, the genre-bending, era-defining sound that has proven difficult to pin down and classify sonically. But instead of taking the easy approach that many of their contemporaries have (and fallen by the wayside as a result) and re-write BMTH songs that could score you a slot on the radio, Decrepit Youth are looking to take on their influences and push their creative flare farther. In the process, they look set to put their own stamp on the alt-rock world and give listeners a much wanted feel for something familiar but unique. And Decrepit Youth defy such trite and unimaginative classifications with Love Psycho Kill Machine. Upon repeated listens to the three track EP, the band cannot and will not be so simply boxed into a corner as just another alt-rock upstart four-piece. The quartet hailing from Newcastle have clearly nailed the formula to take their own stylized unique blend of influence soup and push the ship a bit farther out to sea. And with a debut like this one, that sea could just be limitless for an act that, far from shying away from the host of bands that one could point out (quite derivatively) has massively influenced their sound, embraces the trails that have been blazed for them. And this is something to be admired for these young up and comers and a clear sign that the future of UK alt-rock, or any rock for that matter, is in safe hands. With the eponymous opening track, Decrepit Youth waste no time in introducing the listener to what they’re all about with an opening stomping riff reminiscent of Royal Blood and a lyric delivery that Don Broco would instantly approve of, leading to a soaring, catchy-as-hell chorus that seems like it is just begging for a stirring sing-along worthy of the upcoming summer festival circuit. The second track and EP leading single “Black Dove” is where the band seems to truly take-off, with a distinct blend of industrial goth and alt-metal synth pop. It is easy to see why the band have chosen to highlight this track as it arguably encapsulates best what the band are trying to achieve on the EP. A chorus that extends a hand to the, what will be, droves of alternative minded fans with a bleak look at the world the youth of today have inherited, driven home by such a rousing, call to arms chorus-“Can you feel my pain?”-that will leave even a casual listener wanting to punch a hole through their wall in defiance. Closing track “Monster In Me” walks the line deftly between a cheeky nu-metal rhythm and central riff, a la Architects, that leads into a beat down chorus. The song is probably the most varied track off of the EP and one that gives tantalising evidence to where the band could potentially go with a future full release. With the band already turning heads, their single “Kill the Lights” receiving regular air play on BBC’s Radio One Rock Show, the future is bright for Decrepit Youth and the debut of their first EP will surely see the group continue their meteoric rise. Decrepit Youth Love Pycho Kill Machine is released Friday, 21 st March

Gig Review - Willie And The Bandits - Deaf Institute, Manchester Formed in 2010 in Cornwall by Willie Edwards driving around in a camper van full of surf boards and guitars having rejected society’s norms, he gathered a tour de force of musicians, consisting currently of Matthew Gallagher on keys, Harry Mackail Bass and Zak O’Loughlin drums In bygone times I think he would have been a smuggler. But it’s 2025, no room for smugglers – instead he is a very accomplished musician as the night’s performance proved. I didn’t really know what to expect, and had purposely not checked them out in advance so I didn’t have a preconceived idea. And I very much liked what was delivered. I was rocked, I was funked, I was balladed, I was calypso’d, I was latino’d and I was even progged. The prog one was a genre too far for me, but the crowd loved it, and Willie introduced it by saying it was about his dearly departed mother. I would say he is classically trained as he played the acoustic guitar with expert dexterity, pulling on Spanish and Latino rhythms and melodies. He also played electric guitar with slide and lap steel. I could hear Hendrix and Free in the rock, The Meters in the funk, and maybe Bad Company in the ballads. All good company if you ask me. The music core is drenched in 70’s guitar melodies, while the vocal melodies have an utterly contemporary vibe to them. Now I think a drummer can make or break a band, and I have to say Zak O’Loughlin was absolutely on the money as the backbone of The Bandits, very funky, very rock solid, very economical in a perfect way, I really enjoyed this master of the skins being the perfect foil for Willie Edwards guitar work. A solid bass section from Harry complimented the drums and Matthews ivory tinklings reminded me of a fusion of Ray Manzerak of The Doors and Jon Lord of Deep Purple. Highlights of the night for me were Miles Away and Living Free. Four great musicians, one great songwriter, that is Willy And The Bandits – check them out, you know you want to

Single Review - Love In Chains - Bam Margera & Amore Ad Lunam Bam Margera, infamous prankster of Jack-ass fame, has re-entered the world of goth-edged rock with his newest collaboration with Puerto Rican band, Amore Ad Lunam entitled “ Love In Chains. ” Harkening back to a period and style that saw Margera enjoy musical success with bands such as CKY and HIM, “Love In Chains” is a synth-tinged darkwave ballad, exploring a darker, more dangerous side of desire. The track is certainly destined to be a crowd pleasing hit for fans, not only of Amore Ad Lunam, but of the mercurial goth-skate legend Margera. And for those fans the up-tempo, head bang-inducing track will come as a welcome surprise as the stuntman-cum-skater-cum- musician looks to tap back into his creative spirit that has made him a household name over the decades. Teaming up with a band that wears its influences proudly on its sleeves, Margera’s collaboration with Amore Ad Lunam instantly brings to mind Billy idol in the prime of his pomp, the 69 Eyes (who Margera has worked with previously) and perennial dark purveyors of goth-pop The Cult. These influences are thrown into the mix to create a tune that will appeal to rockers regardless of which rung of the spectrum they find themselves. It is this knack for crossing divides in favour of catchy melodies that has seen Margera stand out for his musical prowess in the past. Indeed, it is his vocals on the track that really stand out, as the performer adopts a lower bass register a la Peter Steele that, perhaps surprisingly, seems to suit the singer well. Margera competently delivers each line and instantly reminds one of vampiric goth in romance with an edge that deftly complements Margera’s image. Margera and Amore Ad Lunam released the new track with a video to accompany, featuring lead singer Malcolm Baez and Margera sharing the vocals, interspersed with the rest of the band and a female actress who interacts with Margera, giving the lyrics a visual representation. Clocking in at about 3 and a half minutes, the song does not wear out its welcome and is certainly set to be an ear-worm that will merit numerous playbacks. Amore Ad Lunam hail from Puerto Rico and are arguably the island’s best known and most prolific rock band to emerge from its scene since their inception in 2006 and first release in 2013. The band last released an album in 2021 and it is as yet unclear if the band are planning a full-length release, featuring “Love In Chains.”